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・ Andreas Keim
・ Andreas Keller
・ Andreas Kempf
・ Andreas Khol
・ Andreas Kiefer
・ Andreas Kilingaridis
・ Andreas Kinneging
・ Andreas Kirchner
・ Andreas Kirkerup
・ Andreas Kisser
・ Andreas Gryphius
・ Andreas Gryphius Prize
・ Andreas Gröndahl
・ Andreas Grünschloß
・ Andreas Gstoettner
Andreas Gursky
・ Andreas Gustafsson
・ Andreas Görlitz
・ Andreas Güntner
・ Andreas Haas
・ Andreas Hackethal
・ Andreas Hackzelius
・ Andreas Haddad
・ Andreas Hadelöv
・ Andreas Hadenius
・ Andreas Haefliger
・ Andreas Hagara
・ Andreas Hagelund
・ Andreas Hagen
・ Andreas Hagl


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Andreas Gursky : ウィキペディア英語版
Andreas Gursky


Andreas Gursky (born January 15, 1955) is a German photographer and Professor at the Kunstakademie Düsseldorf, Germany.〔(【引用サイトリンク】title=Prof. Andreas Gursky )〕 He is known for his large format architecture and landscape colour photographs, often employing a high point of view. Gursky shares a studio with Laurenz Berges, Thomas Ruff and Axel Hütte on the Hansaallee, in Düsseldorf. The building, a former electricity station, was transformed into an artists studio and living quarters, in 2001, by architects Herzog & de Meuron, of Tate Modern fame. In 2010-11, the architects worked again on the building, designing a gallery in the basement.
==Education==
Gursky was born in Leipzig, Former East Germany in 1955. His family relocated to West Germany, moving to Essen and then Düsseldorf by the end of 1957.〔(【引用サイトリンク】title=Andreas Gursky )〕 From 1978 to 1981, he attended Folkwangschule, Essen, where he is said to have studied under Otto Steinert. However, it has been disputed that this can't really be the case, as Steinert died in 1978.〔http://www.fotofeinkost.de/andreas-gursky-werke-80-08/〕 Between 1981-1987 at the Kunstakademie Düsseldorf, Gursky received strong training and influence from his teachers Hilla and Bernd Becher,〔Tomkins, Calvin. ''The New Yorker''. "The Big Picture." 22 January 2001.〕 a photographic team known for their distinctive, dispassionate method of systematically cataloging industrial machinery and architecture.〔Marien, Mary Warner. ''Photography''. 2006, page 371-2〕 Gursky demonstrates a similarly methodical approach in his own larger-scale photography. Other notable influences are the British landscape photographer John Davies, whose highly detailed high vantage point images had a strong effect on the street level photographs Gursky was then making, and to a lesser degree the American photographer Joel Sternfeld.

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